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Vintage Hitchcock – A Live Radio Play

26th, 27th and 28th April, 2018

PLUS an extra date at the Banstead Arts Festival on 2nd May, 2018

directed by Lars Sawyer
An amateur production in association with Playscripts, Inc.

In a triple bill of one-act plays, three early films by Alfred Hitchcock, the master of suspense, are brought to life on stage with live sound effects and a live broadcast from the studio of WBFR’s radio station.  The Lodger, a story of the London fog, a tale of mystery and murder; Sabotage, about a bomb plot in London; and The 39 Steps, a tale of spies, political intrigue and unlikely romance – all three  bear Hitchcock’s trademark ability to stretch an audience’s nerves almost to breaking point . . .

Performance dates: 26th, 27th and 28th April, 2018 at 8pm, The Riddell Hall, Dean’s Lane, Walton on the Hill.  Doors and bar open at 7.30pm.  Tickets £10, box office 01737 812 703.

An extra performance is being put on for the Banstead Arts Festival: 2nd May 2018 at 8pm. Banstead Community Hall, Park Road, SM7 3AJ. Tickets £10. For more ticket information click here

Audition Announcement

On Monday, 15th and Wednesday, 17th January, 2018 we shall be holding auditions for our Spring play, Vintage Hitchcock: a live radio play by Joe Landry, directed by Lars Sawyer.  These will take place at 8pm in Christchurch Hall, in Walton on the Hill.

There are three one-act plays in this production, which takes place c. 1946 in the US metropolitan broadcasting studio of WBFR’s radio station, and which showcases the build-up of archetypal Hitchcock thrillers.

In The Lodger there are 2M and 2F main roles and 6 minor roles (plus the main role of the Announcer, who is heard in each play – this could be M or F).

In Sabotage there are 27 minor speaking parts, many of which could be doubled up.

In The 39 Steps there are 2M and 2F main roles and 22 minor speaking parts, many of which could also be doubled up – not to say tripled or quadrupled up, as in Sabotage.

One of the joys of this triple bill is that, since the action takes place in a live, authentic radio broadcasting studio, the players will have the scripts in their hands throughout!   Not having to learn the lines absolutely by heart is an advantage, but players will still be expected to know the lines, the cues and the drama, in order to give an authentic performance as a radio actor or actress.   All characters have British accents except the Announcer and the stage manager (American), and the few parts where foreign accents are specified.

Rehearsals will begin with a read-through on Monday 12th February, continuing every Wednesday and Monday thereafter until Wednesday, 18th April, all at 8pm in Christchurch Hall.  The play will then transfer to The Lord Riddell Memorial Hall for set-up and performance week.  Performances will be held on 26th, 27th and 28th April.

ALL PLAYERS PLEASE NOTE:
In addition, the Gage has been honoured with an invitation by the Banstead Art Festival Committee to present a play during the Festival week.  The evening play date will be:

Wednesday, 2nd May, 2018, when two of the above plays will be staged in Banstead Community Hall either side of an interval.  Therefore, those auditioning should be aware that they are committing to this further performance if they are offered a part or parts in Vintage Hitchcock.

Another Quiz Night (9th August)

On Wednesday the 9th August, we are once more venturing to The Duke’s Head in Tadworth to pit our wits against the regular teams. Please feel free to come and give us a helping hand (or brain).

Arrive by 7:30 if you would like to eat first (the food at The Duke’s Head is very good).

WINTER 2017 PRODUCTION – Waiting for the Train

This new play, being given its premiere by The Gage, is set on a railway platform on the rural outskirts of London. The timeframe stretches from the 1930s to the 1970s, and during this we learn of the lives of some of the people who pass through the station, many of whom are left to fill in time there while waiting for the train . . .

Jeanette, a motherly soul, looks after the station café and also looks after George, who hangs around the station hoping that his wife Jane will return on the next train . . . Tom is a musician whom we first meet worrying about an audition. In time he becomes the conductor of a major orchestra and marries Mary, whom he met at the station when she arrived as a teacher accompanying evacuee children.

The play also has its serious moments, when the repercussions of a terrorist bombing in London reach some of our characters; and again when a newspaper reporter tries to put together a scandalous obituary for another of them, but is foiled . . .

Many lifetimes pass before your eyes in Waiting for the Train.

Performances will be at 8pm on Thursday, 30th November, Friday, 1st December and Saturday, 2nd December, at the Riddell Hall, Walton on the Hill.
Tickets £10, box office 01737 812 703.

Patrons intending to dine before the show at The Blue Ball pub near The Riddell Hall will be offered a 15% discount on food if, when they come to pay the bill, they show their pre-bought tickets to the staff.

Put the play dates in your diary now!

The Following Pictures Courtesy of Andy Carter LRPS CPAGB

The Following Pictures Courtesy of Melanie Rolls

Quiz Night

We will be putting on our Quiz hats again and seeing if we can equal or improve our last result at the Dukes Head on Wednesday the 17th May.  As usual there is the opportunity to eat there before and that “reserves” our table which is for 19.00 with the quiz starting at approximately 20.15.

UPDATE
We Won!
That’s £20 in the Gage kitty.

Open Auditions for the Winter 2017 Play

OPEN AUDITIONS
FOR THE WINTER 2017 PLAY

On Monday, 3rd and Monday 10th July 2017 we shall be holding auditions for our Winter play, Waiting for the Train, written and directed by Pip Rolls.  These will take place at 8pm in Christchurch Hall, in Walton on the Hill.

There are 7F main speaking roles for adults, 4M main speaking roles for adults, and also parts for 3 girls and 1 boy. The play opens in 1937 and finishes in 1993 – some characters will need to be able to act the age of late twenty-year-olds through to middle age.

This new play, being given its premiere by The Gage, is set on a railway platform on the rural outskirts of London.  It tells of the lives of some of the people who pass through the station, many of whom are left to fill in time there while waiting for the train.  Jeanette, a motherly soul, looks after the station café and also looks after George, who hangs around the station hoping that his wife Jane will return on the next train . . .

Tom is a musician whom we first meet worrying about an audition.  In time he becomes the conductor of a major orchestra and marries Mary, whom he met at the station when she arrived as a teacher accompanying evacuee children.  Two of the evacuees, Miranda and Peter, we watch grow into adults; after an unlikely kind of courtship, Peter proposes to Miranda during a disastrous meal at the re-vamped station café.   

The play also has its serious moments, when the repercussions of a terrorist bombing in London reach some of our characters; and again when a newspaper reporter tries to put together a scandalous obituary for another of them, but is foiled . . .

Many lifetimes pass before your eyes in Waiting for the Train.

Rehearsals will begin with a read-through on Monday 18th September, followed by a rehearsal on Wednesday, 20th September, and thereafter on every Monday and Wednesday, all at 8pm at Christchurch Hall, so there will be plenty of time between audition and rehearsals to start getting your lines down!

Performances will be at 8pm on Thursday, 30th November, Friday, 1st December and Saturday, 2nd December, at the Riddell Hall, Walton on the Hill.

So, please come along to the audition and try out for The Gage.  The Winter production begins our 67th anniversary year, so you’d be joining a company with a strong tradition of putting on great entertainment.  Remember: auditions on Monday, 3rd July and 10th at 8pm, Christchurch Hall, Walton on the Hill.  For further information contact the director, Pip Rolls, on 01372 452 105 or pip.rolls@yahoo.co.uk .